This book is now included in the Bethlehem Budget Book The Flying Ensign, also reviewed on this site.

I really liked this book. I can vouch for my wife's statement that this is a great read aloud. I read it to my children at bedtime (ages 3 through 9) - they were engaged... though the younger ones usually fell asleep. The older two LOVED it.

Like the first book, there are plentiful descriptions of landscape, escapes, rescues, heroes, villians and architecture. The latter two are grouped for a reason. This book finds the ensign and all the principle characters of the last book together again. This time however, the story centers around a diversion to rescue the beautiful Anita and her noble father Don Claudio del Riego (one of the wealthiest noblemen in French-occupied Spain). They have been kidnapped, along with their hidden cache of jewels, by the traitorous El Cuchillo - a brigand from an ancient and once respected family - who makes his home in the family castle in the mountains. The castle features a knife-like spike of rock projecting up from within the fortress.

That the Spanish nobleman is now allied with the occupying French force, or that he chose to be a brigand rather than a noble may each be subjects for discussion of how the author gave him his nickname and abode - El Cuchillo - The Knife.

I had a hard time unraveling some of the battle scenes the author describes in the story until I got to the very helpful map on pg. 277. There's a lot of interesting military history, but I would have appreciated a few more maps.

It should also be noted that the author, while painting the valor and honor which the young ensign felt and aspired to, does not refrain from describing some of the gruesome aspects of battle. Unlike so many Disney stories (thank goodness) men actually die in this book. Children are neither idiots nor prudes in realizing the effect of violence can be death! You may want to read it to your kids - you can. But, for younger listeners, you may wish to keep an eye out for the few graphic descriptions. For instance: "In the ranks a few yards away gaps appeard - men flung into fragments by the flying [cannon] balls, men struck down and screaming in agony." Or in the story above: "... saw one twelve-pounder ball hurtle through the ranks a few paces from him, tearing two green-coated men into red fragments and ripping an arm from a third."

This is an enjoyable, readable story about a heroic young man who braves dangers and wins. In other words, a good hero story for kids. And the pretty young sable-haired Anita should be appealing to both boys and girls as a person who knows courage as well as courtliness.

This charming story, a Newbery Honor Book for 1928, has just been reprinted by Bethlehem Books. Set on the Island of Nantucket, off of Cape Cod in Massachusetts in the 1810s and 1820s, the story follows the Coffyn family in the largely Quaker community of Nantucket, and especially their daughter Dionis "Dencey". Dencey is a young girl from a proper Quaker family with a temper and a heart of gold. She befriends an outcast boy and teaches him to read in order to make up for hurting him in a fit of temper. Their friendship baffles Dencey's parents and the community but bears fruit in unexpected ways. It is a lovely story, filled with truths about faith, family and friendship. It is a little complex, though, and (as recommended by the publisher) is probably best for ages 12 and up.

Set in aristocratic England of the late 19th century, this novel by a convert to Catholicism explores the concept of our participation in the Atonement. Young Sir Nevill Fanning is thoughtlessly and unconsciously pagan (though outwardly Catholic) and heir to his dear Aunt Ann's estate. Early on, he falls in love with a Protestant, and this raises various issues both within his aunt and within himself. A Mr. Morpeth represents the holiness and wisdom of the Church as Nevill and Ann work out their salvation.

The novel is at once a profound explanation and touching portrayal of intercessory prayer and atoning suffering, using the unique idiom of the novel, in which the author can create and then unfold an entire cast of characters. Psychological insights and matters of spiritual growth are magnified and clarified in the lens of story. For various reasons, I have recently read a lot of Jane Austen and Charlotte Bronte, and it is all the more interesting to enter into an English countryside world not too far removed from theirs in place or time, but very much removed in theological reach.

It would have been helpful if the publishers had included a table of contents. Several striking passages proved very hard to relocate. There is an extraordinarily sweet and insightful passage about people who see little "signs" in various things. (See Book 2, chapter V, section IV, or, page 261) Even the first passage about initiation, a thoughtful reflection on the difference between those who have come to accept what happens and those who have not, is very hard to find. It's on page 71, and it is clearly the prologue to the interior substance of the story.