Elizabeth Borton de Trevino

I, Juan de Pareja

Book cover: I, Juan de Pareja
Author(s): 
Elizabeth Borton de Treviño
Number of pages: 
180 pages
Copyright: 
1965
ISBN: 
9780374435257
Publisher: 
Farrar, Straus, and Giroux
Subject(s): 
Grade / Age level: 
Review: 

I, Juan de Pareja, is biographical fiction, set in Spain in the first half of the seventeenth century. It tells the story of Diego Rodriguez de Silva y Velazquez, the Court painter in Spain, through the eyes of his personal servant, Juan de Pareja. Juan was part of Diego Velazquez's inheritance, and became his personal aide. Because of his nature, Juan doesn't resent his master and becomes a beloved member of the household.

This story tells of the mutual respect that two men can have for each other, even though one is a slave and the other his master. Although it is forbidden for a slave to learn or practice the arts in Spain at that time, Juan pays close attention to his master and learns to paint in secret. But is learning to paint worth his guilt? Is it worth the guilt of having stolen paints and the terror of being discovered?

I, Juan de Pareja, is an excellent story that I'd recommend for children ages 9 to 16. The reason I recommend it for older children is that there is some wanton cruelty, and death is a sub-theme of the novel. It can also be used as a read-aloud to older children and would be an excellent addition to your study of Spain or the Renaissance. This book should be readily available at your local library, or even a good used book store.

Reviewed by: 
First reviewed: 
7-25-2000

My Heart Lies South

The Story of My Mexican Marriage (Young People's Edition)
Book cover: 'My Heart Lies South: The Story of My Mexican Marriage (Young People's Edition)'
Author(s): 
Elizabeth Borton de Trevino
Number of pages: 
228 pages
Copyright: 
1953
Publisher: 
Bethlehem Books
Binding: 
Softcover
Subject(s): 
Grade / Age level: 
Review: 
Elizabeth Borton de Trevino is best known as the author of children's stories, especially I, Juan de Pareja which won the Newbery Award in 1966). Long before all that, in the 1930s, she was simply Elizabeth Borton, a modern American lady, living in Boston and working as a journalist, when she was given an assignment in Monterrey, Mexico. There she met, was courted by and eventually married a native by the name of Luis Trevino. In this book she recounts the adventures her courtship and marriage and most particularly her adjustments to life in a completely different culture from her own. She paints a charming pictures of Mexican culture and faith and some of the stories about her mistakes and embarassments are hysterically funny. In moving to Mexico not only does she give up her old way of life (modern America of the 1930s was a significant contrast to life in Mexico), but she wholeheartedly embraced the Catholic faith and learned to truly love the hallmark of Mexican culture - the strength of the family and the essential role of mothers in the home and family.

This story is delightful for its own sake, but also gives tidbits of history (Mexican and Spanish), religion, and culture. It is also the sort of book that is useful and delightful for teenage girls to read as they begin to consider their future roles as mothers, wives and influences on their community. (The humorous incidents will probably keep it interesting enough for the guys as well.) There are some references to dating and courtship, the consequences of drinking too much and other subjects which would not be suitable for young children (although they are handled in a reasonable manner). Don't be turned off by the word "seduction" that shows up in the first few pages. It comes up in a fairly harmless context and is not an indication of shocking material to come.

I also found her discussions of parenting interesting because she was raising her children at a time when American doctors advocated bottle feeding and a sort of detached parenting . When she wrote the story, however, the doctors had begun to come around to a healthier and more natural parenting philosophy and the author expresses some of her regrets and frustrations at following the conventional wisdom which really went against her instincts.

Her arguments in favor of the Mexican view of the role of women is quite compelling. The Mexican role is, in many ways, very Catholic. Women are not inferior or subservient (as in the "Leave it to Beaver" American model of the 1950s) nor do they feel the need to fight for "equality" as in the American feminist model of today. The Mexican women have (or perhaps had) a very strong and dominant role within the family which was the center of society. They liked to make their husbands feel manly by allowing them to help them because it made them better husbands and companions. Although the author does not fully embrace every particular of the Mexican customs in this regard, she sees them generally as the women's way of cunningly "allowing" the men to feel superior in order to keep them happy while almost always having the final word.

Perspective: 
Catholic
Reviewed by: 
First reviewed: 
10-04-2000