This is an exciting and fun art supplement that kids are sure to love (makes a great gift for Christmas or a birthday). There are three main parts to the book. First is an introduction which explains a problem the art museum is having with forgeries. Several gangs of artists have copied original works, but made very slight changes to them. The object of the book is to identify who is responsible for the various forgeries by looking carefully for very specific clues.

The rest of the book is split into two books on top of each other. The upper part is composed of the forgeries - which look like real art until you look very closely (and thus the magnifying glass). A small symbol on the forgery will tell you how many changes the forger made to the original work. By studying the lower book - which is an art catalog with prints of the real paintings, the reader will discover the differences and solve the crime. The catalog includes information about the type of painting; the artist and when he lived; and a brief story about the painting and its subject. There are a total of thirty-four paintings and there is a complete answer key in the back of the book.

What a creative way to get kids interested in art and...fear not! You'll find no twaddle here. I was very pleased to see the practice in attention-to-detail that this book requires and encourages. It's enjoyable enough that my daughter has enjoyed working through it with friends on sleep-overs. There is one picture that jumps out at me as being a little on the shocking side. It's a picture of a very ugly old lady in a very low-cut dress. The book explains that it is a caricature of older women who try to dress younger but really make themselves look ridiculous. I don't really like the picture, but I don't think it really detracts from the book (it also offers the idea of additional purpose in art and an unusual way of making a point).

Tom was an ordinary boy who loved being outdoors and drawing whatever he saw. Although Tom found school distasteful, his teacher, Sister Aquinas, saw artistic talent in him and encouraged him and lent him books on religious art. He discovered that his favorite artist was Fra Angelico. He attended a high school seminary and discovered that he wanted to be a monk. There he becomes Brother Joseph and finds that his artistic talents are put to good use. "He knows that he is busy about the right things, happy that as an artist he is able to give so much joy and peace to others with his icons."

This is a nice story about art, vocation and using one's talents for God and others. My children especially enjoyed the charming verses that run through the monk's head - "My brush will up and downward go, I'll paint like Fra Angelico!"

24 Postcards in perforated book

Most homeschoolers are familiar with the Montessori-style idea of having children learn to enjoy and appreciate great paintings by studying small post-card size reproductions (especially as promoted by Aline Wolf in Mommy It's a Renoir). This is a very nice program, as I understand it, but I've been frustrated with the lack of beautiful painting collections in postcard size. You can find them here and there at museums, but they have been very difficult to purchase on the web or from catalog. Dover Publications is beginning to fill that gap with some beautiful postcard collections, but Leonardo is my favorite so far.

The set includes 13 reproductions of paintings: Madonna with the Carnation (1475), The Virgin and Child with St. Anne (1508), Bacchus (circa 1513), Portrait of Ginerva de'Benci (circa 1478), The Last Supper - detail (1495-1497), The Benois Madonna (circa 1478), The Annunciation - detail (circa 1472), St. John the Baptist (circa 1513-1516), Portrait of Cecilia Gallerani a.k.a. Lady with an Ermine (circa 1490), Madonna of the Yarnwinder (1501), Madonna Litta (circa 1490), Mona Lisa (1503-1506), and Portrait of a Musician (circa 1490).

There are 11 beautiful drawings as well: The Virgin and Child with St. Anne, Profile of a Young Woman, Antique Warrior, Self-Portrait, Five Grotesque Heads, The Virgin of the Rocks, Vitruvian Man, Study for the Last Supper and Architectural Sketches, Old Man and Youth, Study for the Battle of Anghiari and Feminine Headdress.

This is a great and inexpensive way to introduce children to really great art. Also would make a nice supplement to Leonardo da Vinci for Kids.

I found this quite accidentally when browsing the art shelves in the non-fiction children books section at our library system's main branch last week.

Mind you, I am always carting around mountains of books in huge, oversize bags, and I am thankful for strong, teen sons, and for downtown ballet and piano classes allowing me the time to browse at the library.

At the library, I try to throw in the bag only what looks promising, and I still end up bringing home volumes that go directly back into the return bag, almost unopened. So what I post here is truly the cream of the crop-- at least the cream of my own random crop!

Back to Wolfe's marvelous book: she is from the UK and has received awards for her art books for children. I would give her an award as well! (I have just requested the two other titles in this series from Inter Library Loan). I like the paintings she chooses to show her artistic points-- in this volume, the effect of light onto works of art-- and I like the language she uses to talk about them. The book is for children and yet it doesn't talk down or use patronizing language. Art should be talked about simply, clearly-- and she does just that, as she discusses the use of light in different aspects using 18 great works of art as examples. In fact, I am taking this book to take to my art students at co-op on Friday, and my teens at home approve!

The only negative thing I would say is that I would have chosen another of the many art works depicted in the book for the cover. Alas, that may be a very insignificant point, but it is one that could mean a lot to a visual person like me, who had to bet on the stunning art wok inside the book when the cover shows a very boring Picasso.

To close, another positive: Wolfe is not afraid to acknowledge that it is impossible to talk about art without discussing sacred art. Indeed her book opens with the gorgeous Conversion of Saint Paul by Caravaggio (so timely for the Year of Saint Paul!), and it closes with a discussion on "Heavenly Light", using Blessed Fra Angelico's version of Paradise from The Last Judgement.