The title clearly explains what this book is all about: Gibson took the twelve months of the year, wove in the liturgical celebrations and linked these to marvelous picture books – creating a mosaic of Catholic culture and beautiful literature.

But this book is much more than an annotated book list, although that is included too. Gibson gives suggested questions for you to discuss with your children. She gives suggested copywork – that is, quotes that children memorize or use for handwriting practice. She gives ideas for activities that will reinforce the meaning of the particular book. She helps families to truly live and embrace the wondrous Catholic traditions connected to feast days, liturgical celebrations and other things Catholic.

Some of the books described and linked in this book are Catholic illustrated classics – books like The Weight of a Mass by Josephine Nobisso, Song of the Swallows by Leo Politi and St. George and the Dragon by Margaret Hodges are extremely popular with many Catholic parents and children. But Gibson goes beyond the “Catholic classics” and mentions books like The Little Match Girl by Hans Christian Andersen (illustrated by Rachel Isadora) and The Giving Tree by Shel Silverstein and how you can apply Catholic teachings to these books, giving your children a rich and lasting understanding of our Catholic culture.

In total, Gibson integrates FIFTY-TWO illustrated children’s books with the Catholic calendar and Catholic living. Books that cover the Mass, First Communion, various saints and important liturgical seasons are included. In addition, she suggests other books which may also work (but omits questions and activities linked to these “second-string” books some of which unfortunately are out-of-print or hard-to-find).

All the primary books are easily attainable from booksellers; in addition, books by popular authors like Tomie dePaola are usually available at public libraries so as not to strain your book budget too much. However, after seeing these books, you might want to have good copies for your home library. Gibson has selected books not only for the meaning in their words, but also for the beauty of their illustrations. These books could easily be used as an art study in conjunction with the literature, religion and other subjects covered in these books.

Further resources that Gibson gives the reader are suggestions for creating and maintaining a “Liturgical Notebook” throughout the year – a memory scrapbook of this literature-based journey – as well as incorporating some of the traditional Catholic homeschool resources (for example, CHC’s A Year with God or Seton’s Art 1).

Run, don’t walk, to get a copy of this book. I know I sound effusive, but this book is remarkable in its ambitious objective which is stunningly successful. This is one of those homeschooling volumes that needs to be on every Catholic resource shelf – that is, when it’s not being used!

Sometimes your casual pick-up-what-looks-good from the library hits jackpot--last week it was one of those instances for us. Close to the Wind by Peter Malone gets very close to being the picture book par excellence. In every aspect, this gem brings the very best of the world of picture books: beautiful, detail-rich illustrations, a captivating story, plenty of educational content, and great use of visual diagrams, side notes and explanatory illustrations. Good picture books, I am always exclaiming, are so helpful in the homeschool. What did we know about the Beaufort Scale before this find? Next to nil. Now, not only we learned about the useful scale that measures wind based on detailed observations, we also learned information on ship-building, sails, the life of sailors, curious entries in sailor's glossary, how many trees are cut down to build a ship, and the sad destiny of many ships after their many years of service.

Daddy's Lullaby by Tony Bradman, beautifully illustrated by Jason Cockcroft, is a children's storybook about a young dad who comes home late at night to find the baby wide awake in his crib. In his efforts to soothe the baby back to sleep, dad cuddles him in his arms and tours the house with the baby to see all the other sleeping members of the family. When that doesn't work, dad takes the baby downstairs and sings him a soft lullaby about "Daddy will hold you safe from all harm" and "Love you forever--A promise he'll keep." Exhausted from his long week at work, dad falls asleep with the baby nestled in his arms. In the morning, mom and big brother find them still sleeping peacefully. The strength and power of this dad is displayed in his commitment to his family, "let me chase that bad old dream away" and the warmth and the love he has for them with words like "And here's the best mother a baby could have. You're a lucky baby and I'm a lucky dad!" In this day and age of broken homes, this story is a refreshing encouragement to dads about the real meaning of family life. The captivating pictures poignantly illustrate the tenderness and love of this dad for his family.

A gorgeous presentation of the Easter story! Fiona French tells the story in twelve stained glass tableaux: the entry into Jerusalem, the Last Supper, the betrayal in the garden of Gethsemane, Jesus judged before Pilate, the scourging at the pillar, the carrying of the cross, the crucifixion, taking him from the cross and laying him in the tomb, the resurrection, meeting with doubting Thomas, the loaves and fishes by the Sea of Tiberius, the Ascension into heaven. The images are inspired by stained glass in the English cathedrals of Ely, Lincoln, York,and Canterbury and are rich in traditional details. The effect is rather more like guiding a child on a tour of a church, examining the artwork and explicating it than reading a story of Jesus' life. Which is a plus for me as I love the didactic art in old churches. I especially adore stained glass and love the way French uses its conventions. The text is taken from the Revised Standard Version of the New Testament, though I think it is edited some. This isn't the full text of the Gospel, just short passages of a paragraph or two that caption the picture. I like that it doesn't water down the Biblical language with too-simple paraphrases and yet doesn't overwhelm with too much text either. My three-year old is quite captivated by this book asking for it to be read again and again and pointing to the pictures and requesting further explanations of the images.