Literature Videos
In Search of Shakespeare
In This House of Brede
This film, originally made for British television, is based on the novel In This House of Brede by Rumer Godden. It is an admirable portrayal of a woman entering a cloistered Benedictine Abbey relatively late in life and how she learns to love all - the lovable and the "unlovable" for the sake of Christ. While the glimpses of the outside world (of the 1970s) are somewhat dated in appearance - clothing, hairstyles, etc. - this actually enhances the concept of the timelessness of the religious life and of the Church (this is further highlighted by the beautiful Gregorian chant music heard throughout the film). The story is beautiful, but a little complex, and will probably be best appreciated by teens and adults.
95 min., Color, Starring Diana Rigg
Much Ado About Nothing
This is an admirable portrayal of one of Shakespeare's great comedies beautifully filmed on location in Italy. It is a love story that also laughs at love and a drama that ends up being "Much Ado About Nothing." It is so refreshing to see that Kenneth Branagh (director, adapter and co-leading man) appreciates Shakespeare as Shakespeare rather than trying to add on modern nonsense to make it more accessible. Instead, Branagh assists in making Shakespeare's timeless story accessible through good acting, beautiful scenery and an amazingly faithful script. I like this film very much, and I think it can be a good place for introducing teens to Shakespeare. However, there are a few short scenes of a sensual nature that parents might want to edit for their children. I recommend that parents preview the movie before watching it with their children, but in a nutshell, here some scenes that parents may wish to edit, particularly the third one:
During the credits, the men and women (who are in separate places) are shown bathing and dressing up while preparing to meet each other after the men had been away at war. While this is done in a fairly innocent manner, there are plenty of naked "backsides" in this scene.
There is a small scene during the costumed party involving a couple who are not behaving themselves very well. It does help establish their characters which play an essential role in the story. Although it is not terribly graphic (and might go unnoticed by small children), it is probably not suitable for younger viewers.
The balcony scene in which Margaret is "courted" by her boyfriend (same couple as above) by the name of another is a pivotal point in the story. It is done without nudity and is consistent with the story, but is still quite graphic and unsuitable for young viewers.
Directed by Kenneth Branagh, PG-13, 1 hr. 51 min., Color
Starring: Kennegth Branagh, Michael Keaton, Keanu Reeves, Emma Thompson and Denzel Washington
Pride and Prejudice
This is a lovely, touching, funny, clever and meaningful miniseries (produced by BBC/A&E) based quite closely on the book Pride and Prejudice by Jane Austen. While it's certainly a "chick movie", there's enough clever writing and acting in it to allow "the guys" to tolerate at least one viewing and probably get something out of it. The theme of the story, which is set in 18th century England, is choosing a marriage partner, and the morals here are very sound. Yet, perhaps the more enjoyable part is the author's clever and very real characters and her insights into what makes people tick. The movie can also be enjoyed for its lovely sets, great architecture and beautiful costumes. I just love to have movies around the house like this for my little girls to watch and help them develop a sense of beauty, truth and refinement. I liked it so much myself that I sat up til 1:00 in the morning to finish it in one sitting. (My mom did the exact same thing when she came to visit us!)
300 min., Color
Starring: Colin Firth and Jennifer Ehle
Sense and Sensibility
Adapted from the novel by Jane Austen
Though more serious in nature than Emma, Sense and Sensibility portrays life in a more beautiful, if not always more fair, time. Three sisters and their mother are being turned out of their family estate upon their father's death because of the laws of succession to their half-brother, whose scheming wife prevents him from helping them out financially. After they move to a small cottage in the country, the family find friends and happiness in unexpected places.
There are a few very small parts that might be troubling to children (e.g. a blood-letting scene when one of the characters is sick), but it is otherwise suitable for family viewing.
PG, 136 min, Color
Starring: Emma Thompson, Alan Rickman, Kate Winslet, Hugh Grant
The Scarlet Pimpernel (BBC/A&E Series)
After thoroughly enjoying the BBC/A&E production of Pride and Prejudice, I was thrilled to see that they also had done the Scarlet Pimpernel, which is one of my favorite stories. Unfortunately, my expectations were completely shattered by this production which is really more of a television series loosely based on the books. It seems intended for those who enjoy rather steamy romance novels. While some of the original elements of the story and the truths regarding the evils of the French Revolution remain intact (and there are a few funny and creative scenes), there is little else to recommend this production - and many reasons not to bother. I haven't read all of the Pimpernel books, but there was very little reminiscent of the main book from which it takes its name (none of the principal characters even wore disguises!) and there is a lot of raunchy material that I found extremely difficult to tolerate (and I'm a relatively tolerant person when it comes to annoying parts in movies). The writers seem intent on creating heinous female villains and turning Marguerite St. Just into a more politically correct character. Chauvelin, to whom they attempt to give some "sex appeal", makes me nauseous. I found the scenes in Paris indicative of the disintegrating culture absolutely revolting, and these were not even treated as revolting by the production. Instead, for example, Sir Percy Blakeney makes a flippant joke about losing one's virginity when one of his companions is sensually undressed by a group of women at a party. Please, please, please, don't waste your money on this one like I did!
approx. 300 min., Color
The Lord of the Rings: The Fellowship of the Ring (Movie)
Overall, Tolkien fans (who are considered rather "fussy") seem to be rather pleased with the movie, and with good reason. Although it's very difficult to turn such a complex and imaginative story into a movie, and the movie will certainly never replace the book, overall I think the movie-makers did a fantastic job. First, and most importantly, I think they captured the overall themes (the temptation of power, the reality of evil, etc.) very well. The characters are very well-cast and quite believable. As might be expected in a movie version, the plot is simplified, several characters are compressed into one, etc. The neat thing is that significant portions of dialogue are taken directly from the book and the essentials of the plot are really quite faithful to the original story. My husband and I (who have both read the books) enjoyed the movie very much. Since we were expecting the birth of a child at the time and she decided to arrive significantly past her due date, we were able to see the movie twice in the theater, which is a real rarity for us.
For those unfamiliar with the books, this first part of three books introduces us to the main characters in the story - Hobbits - and the other races of Middle Earth - dwarves, elves, men and wizards. We see the beauty of the hobbits' homeland - the Shire - and their simplicity and love of nature. We are introduced to Bilbo who discovered "the Ring" and prepares to leave it to his nephew Frodo. When Gandalf discovers the true identity of the ring - the One Ring that was forged by the evil Lord Sauron to control all living things - Frodo sets out to bring the ring to a safer place and thus begins his quest.
This movie is not intended for young children. The story is very complex and focuses on major conflicts between good and evil. Turning it into a movie without making it silly and laughable creates rather intense cinema. Happily the moviemakers sought a PG-13 rather than an R rating and thus there is almost no blood and gore and no bad language or other objectionable content. The movie does, of course, portray battle and action scenes and a number of rather frightening creatures that some young children find too scary even when reading the book. It is sometimes easier to allow younger children to watch this sort of movie when it is released to video/DVD where the entire effect is less intense and scenes may be edited at will.
Although I think that watching the movie will lead many people to pick up the book, I think it best to read the book before seeing the movie so that one's first impressions in the imagination come directly from the book rather than another's re-creation of it. Parents, in particular, might do well to read the book before seeing the movie because, particularly if they aren't regular movie-goers, I think the violence and intensity wouldn't make much sense without being familiar with the plot and themes.The extended version of the movie, which was released to video and DVD in November 2002, is really worth seeing. It incorporates 30 minutes of additional footage into the movie which helps make the story more understandable and enjoyable, but made the movie too long for the theatrical release.
Rated PG-13 (Violence)
The Lord of the Rings: The Two Towers (Movie)
Two of the toughest characters to portray - Gollum and Treebeard - were absolutely amazing. Gollum is a complex character - tortured by his desire for the ring, whom you don't know whether to hate or pity. A computer graphics generated character, he was entirely believable and pathetic in the way, I think, Tolkien intended him to be imagined. Treebeard could so easily have been a silly cartoonish character. While not without humor, he's also magnificent and ...respectable in the way that one would appreciate and admire an older gentleman who's a bit eccentric.
There are several general things that I think remarkable about this phenomenal task of creating movies from Tolkien's beloved stories. (For those who really like movies, as my husband and I do, the Fellowship of the Ring DVD is interesting partly because of the extensive commentaries, interviews, photo galleries, etc. which provide details on both how the movies were made and what the movie-makers were trying to do.) Many of the people most intimately involved in the movie production have read the story countless times. Faithfulness to Tolkien was a major priority for them. They have referred to the books over and over again, not just in writing the screenplay, but in how the actors portray their parts. A great deal of attention and thought has gone into many, many details of the story. For example, recordings exist of Tolkien himself reading parts of his stories. Ian McKellan, who plays Gandalf, based his portrayal of Gandalf, in voice tone and expression, on these recordings. Christopher Lee, who plays Saruman, has read the books every year for decades. In addition to his excellent portrayal of the villain, he discussed parts of the book with the other actors to be sure that certain details weren't left out. The two artists most famous for illustrating editions of the Lord of the Rings, Alan Lee and John Howe, worked as art consultants on the sets and miniatures. Peter Jackson, the director, collaborated with hundreds of cast members, production members and Tolkien fans to fine tune the script and the ideas. We had a local news story here in Wisconsin about a man who was, as a hobby, an expert in Tolkien's fictional languages. He offered his services to Peter Jackson and was invited to play a part in the production. I've never heard of any project done in this kind of fashion and the final result is truly reflective of the incredible effort and labor of love that went into making these movies.Jackson and crew did a great job of balancing this rather dark, middle part of the story with some enjoyable comic relief (especially found in the character of Gimli the dwarf) which flowed quite well. I thought there were a few more unnecessary plot-deviations than in the first movie (particularly a significant thread involving Aragorn), but this annoyance was rather minor. We enjoyed the movie very much and look forward to its conclusion, The Lord of the Rings: Return of the King, coming out in December 2003.
Rated PG-13 (Violence)







